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  But as Flush trotted up behind Miss Mitford, who was behind the butler, he was more astonished by what he smelt than by what he saw. Up the funnel of the staircase came warm whiffs of joints roasting, of fowls basting, of soups simmering – ravishing almost as food itself to nostrils used to the meagre savour of Kerenhappock’s penurious fries and hashes. Mixing with the smell of food were further smells – smells of cedarwood and sandalwood and mahogany; scents of male bodies and female bodies; of men servants and maid servants; of coats and trousers; of crinolines and mantles; of curtains of tapestry, of curtains of plush; of coal dust and fog; of wine and cigars. Each room as he passed it – dining-room, drawing-room, library, bedroom – wafted out its own contribution to the general stew; while, as he set down first one paw and then another, each was caressed and retained by the sensuality of rich pile carpets closing amorously over it. At length they reached a closed door at the back of the house. A gentle tap was given; gently the door was opened.

  Miss Barrett’s bedroom – for such it was – must by all accounts have been dark. The light, normally obscured by a curtain of green damask, was in summer further dimmed by the ivy, the scarlet runners, the convolvuluses and the nasturtiums which grew in the window-box. At first Flush could distinguish nothing in the pale greenish gloom but five white globes glimmering mysteriously in mid-air. But again it was the smell of the room that overpowered him. Only a scholar who has descended step by step into a mausoleum and there finds himself in a crypt, crusted with fungus, slimy with mould, exuding sour smells of decay and antiquity, while half-obliterated marble busts gleam in mid-air and all is dimly seen by the light of the small swinging lamp which he holds, and dips and turns, glancing now here, now there – only the sensations of such an explorer into the buried vaults of a ruined city can compare with the riot of emotions that flooded Flush’s nerves as he stood for the first time in an invalid’s bedroom, in Wimpole Street, and smelt eau-de-Cologne.

  Very slowly, very dimly, with much sniffing and pawing, Flush by degrees distinguished the outlines of several articles of furniture. That huge object by the window was perhaps a wardrobe. Next to it stood, conceivably, a chest of drawers. In the middle of the room swam up to the surface what seemed to be a table with a ring round it; and then the vague amorphous shapes of armchair and table emerged. But everything was disguised. On top of the wardrobe stood three white busts; the chest of drawers was surmounted by a bookcase; the bookcase was pasted over with crimson merino; the washing-table had a coronal of shelves upon it; on top of the shelves that were on top of the washing-table stood two more busts. Nothing in the room was itself; everything was something else. Even the window-blind was not a simple muslin blind; it was a painted fabric with a design of castles and gateways and groves of trees, and there were several peasants taking a walk. Looking-glasses further distorted these already distorted objects so that there seemed to be ten busts of ten poets instead of five; four tables instead of two. And suddenly there was a more terrifying confusion still. Suddenly Flush saw staring back at him from a hole in the wall another dog with bright eyes flashing, and tongue lolling! He paused amazed. He advanced in awe.

  Thus advancing, thus withdrawing, Flush scarcely heard, save as the distant drone of wind among the tree-tops, the murmur and patter of voices talking. He pursued his investigations, cautiously, nervously, as an explorer in a forest softly advances his foot, uncertain whether that shadow is a lion, or that root a cobra. At last, however, he was aware of huge objects in commotion over him; and, unstrung as he was by the experiences of the past hour, he hid himself, trembling, behind a screen. The voices ceased. A door shut. For one instant he paused, bewildered, unstrung. Then with a pounce as of clawed tigers memory fell upon him. He felt himself alone – deserted. He rushed to the door. It was shut. He pawed, he listened. He heard footsteps descending. He knew them for the familiar footsteps of his mistress. They stopped. But no – on they went, down they went. Miss Mitford was slowly, was heavily, was reluctantly descending the stairs. And as she went, as he heard her footsteps fade, panic seized upon him. Door after door shut in his face as Miss Mitford went downstairs; they shut on freedom; on fields; on hares; on grass; on his adored, his venerated mistress – on the dear old woman who had washed him and beaten him and fed him from her own plate when she had none too much to eat herself – on all he had known of happiness and love and human goodness! There! The front door slammed. He was alone. She had deserted him.

  Then such a wave of despair and anguish overwhelmed him, the irrevocableness and implacability of fate so smote him, that he lifted up his head and howled aloud. A voice said ‘Flush’. He did not hear it. ‘Flush’, it repeated a second time. He started. He had thought himself alone. He turned. Was there something alive in the room with him? Was there something on the sofa? In the wild hope that this being, whatever it was, might open the door, that he might still rush after Miss Mitford and find her – that this was some game of hide-and-seek such as they used to play in the greenhouse at home – Flush darted to the sofa.

  ‘Oh, Flush!’ said Miss Barrett. For the first time she looked him in the face. For the first time Flush looked at the lady lying on the sofa.

  Each was surprised. Heavy curls hung down on either side of Miss Barrett’s face; large bright eyes shone out; a large mouth smiled. Heavy ears hung down on either side of Flush’s face; his eyes, too, were large and bright: his mouth was wide. There was a likeness between them. As they gazed at each other each felt: Here am I – and then each felt: But how different! Hers was the pale worn face of an invalid, cut off from air, light, freedom. His was the warm ruddy face of a young animal; instinct with health and energy. Broken asunder, yet made in the same mould, could it be that each completed what was dormant in the other? She might have been – all that; and he – But no. Between them lay the widest gulf that can separate one being from another. She spoke. He was dumb. She was woman; he was dog. Thus closely united, thus immensely divided, they gazed at each other. Then with one bound Flush sprang on to the sofa and laid himself where he was to lie for ever after – on the rug at Miss Barrett’s feet.

  CHAPTER 2

  The Back Bedroom

  The summer of 1842 was, historians tell us, not much different from other summers, yet to Flush it was so different that he must have doubted if the world itself were the same. It was a summer spent in a bedroom; a summer spent with Miss Barrett. It was a summer spent in London, spent in the heart of civilisation. At first he saw nothing but the bedroom and its furniture, but that alone was surprising enough. To identify, distinguish and call by their right names all the different articles he saw there was confusing enough. And he had scarcely accustomed himself to the tables, to the busts, to the washing-stands – the smell of eau-de-Cologne still affected his nostrils disagreeably, when there came one of those rare days which are fine but not windy, warm but not baking, dry but not dusty, when an invalid can take the air. The day came when Miss Barrett could safely risk the huge adventure of going shopping with her sister.

  The carriage was ordered; Miss Barrett rose from her sofa; veiled and muffled, she descended the stairs. Flush of course went with her. He leapt into the carriage by her side. Couched on her lap, the whole pomp of London at its most splendid burst on his astonished eyes. They drove along Oxford Street. He saw houses made almost entirely of glass. He saw windows laced across with glittering streamers; heaped with gleaming mounds of pink, purple, yellow, rose. The carriage stopped. He entered mysterious arcades filmed with clouds and webs of tinted gauze. A million airs from China, from Arabia, wafted their frail incense into the remotest fibres of his senses. Swiftly over the counters flashed yards of gleaming silk; more darkly, more slowly rolled the ponderous bombazine. Scissors snipped; coins sparkled. Paper was folded; string tied. What with nodding plumes, waving streamers, tossing horses, yellow liveries, passing faces, leaping, dancing up, down, Flush, satiated with the multiplicity of his sensations, slept, drowsed, dreamt and knew no more un
til he was lifted out of the carriage and the door of Wimpole Street shut on him again.

  And next day, as the fine weather continued, Miss Barrett ventured upon an even more daring exploit – she had herself drawn up Wimpole Street in a bath-chair. Again Flush went with her. For the first time he heard his nails click upon the hard paving-stones of London. For the first time the whole battery of a London street on a hot summer’s day assaulted his nostrils. He smelt the swooning smells that lie in the gutters; the bitter smells that corrode iron railings; the fuming, heady smells that rise from basements – smells more complex, corrupt, violently contrasted and compounded than any he had smelt in the fields near Reading; smells that lay far beyond the range of the human nose; so that while the chair went on, he stopped, amazed; defining, savouring, until a jerk at his collar dragged him on. And also, as he trotted up Wimpole Street behind Miss Barrett’s chair he was dazed by the passage of human bodies. Petticoats swished at his head; trousers brushed his flanks; sometimes a wheel whizzed an inch from his nose; the wind of destruction roared in his ears and fanned the feathers of his paws as a van passed. Then he plunged in terror. Mercifully the chain tugged at his collar; Miss Barrett held him tight, or he would have rushed to destruction.

  At last, with every nerve throbbing and every sense singing, he reached Regent’s Park. And then when he saw once more, after years of absence it seemed, grass, flowers and trees, the old hunting cry of the fields hallooed in his ears and he dashed forward to run as he had run in the fields at home. But now a heavy weight jerked at his throat; he was thrown back on his haunches. Were there not trees and grass? he asked. Were these not the signals of freedom? Had he not always leapt forward directly Miss Mitford started on her walk? Why was he a prisoner here? He paused. Here, he observed, the flowers were massed far more thickly than at home; they stood, plant by plant, rigidly in narrow plots. The plots were intersected by hard black paths. Men in shiny top-hats marched ominously up and down the paths. At the sight of them he shuddered closer to the chair. He gladly accepted the protection of the chain. Thus before many of these walks were over a new conception had entered his brain. Setting one thing beside another, he had arrived at a conclusion. Where there are flower-beds there are asphalt paths; where there are flower-beds and asphalt paths, there are men in shiny top-hats; where there are flower-beds and asphalt paths and men in shiny top-hats, dogs must be led on chains. Without being able to decipher a word of the placard at the Gate, he had learnt his lesson – in Regent’s Park dogs must be led on chains.

  And to this nucleus of knowledge, born from the strange experiences of the summer of 1842, soon adhered another; dogs are not equal, but different. At Three Mile Cross Flush had mixed impartially with tap-room dogs and the Squire’s greyhounds; he had known no difference between the tinker’s dog and himself. Indeed it is probable that the mother of his child, though by courtesy called Spaniel, was nothing but a mongrel, eared in one way, tailed in another. But the dogs of London, Flush soon discovered, are strictly divided into different classes. Some are chained dogs; some run wild. Some take their airings in carriages and drink from purple jars; others are unkempt and uncollared and pick up a living in the gutter. Dogs therefore, Flush began to suspect, differ; some are high, others low; and his suspicions were confirmed by snatches of talk held in passing with the dogs of Wimpole Street. ‘See that scallywag? A mere mongrel! … By gad, that’s a fine Spaniel. One of the best blood in Britain! … Pity his ears aren’t a shade more curly … There’s a topknot for you!’

  From such phrases, from the accent of praise or derision in which they were spoken, at the pillar-box or outside the public-house where the footmen were exchanging racing tips, Flush knew before the summer had passed that there is no equality among dogs: some dogs are high dogs; some are low. Which, then, was he? No sooner had Flush got home than he examined himself carefully in the looking-glass. Heaven be praised, he was a dog of birth and breeding! His head was smooth; his eyes were prominent but not gozzled; his feet were feathered; he was the equal of the best-bred cocker in Wimpole Street. He noted with approval the purple jar from which he drank – such are the privileges of rank; he bent his head quietly to have the chain fixed to his collar – such are its penalties. When about this time Miss Barrett observed him staring in the glass, she was mistaken. He was a philosopher, she thought, meditating the difference between appearance and reality. On the contrary, he was an aristocrat considering his points.

  But the fine summer days were soon over; the autumn winds began to blow; and Miss Barrett settled down to a life of complete seclusion in her bedroom. Flush’s life was also changed. His outdoor education was supplemented by that of the bedroom, and this, to a dog of Flush’s temperament, was the most drastic that could have been invented. His only airings, and these were brief and perfunctory, were taken in the company of Wilson, Miss Barrett’s maid. For the rest of the day he kept his station on the sofa at Miss Barrett’s feet. All his natural instincts were thwarted and contradicted. When the autumn winds had blown last year in Berkshire he had run in wild scampering across the stubble; now at the sound of the ivy tapping on the pane Miss Barrett asked Wilson to see to the fastenings of the window. When the leaves of the scarlet runners and nasturtiums in the window-box yellowed and fell she drew her Indian shawl more closely round her. When the October rain lashed the window Wilson lit the fire and heaped up the coals. Autumn deepened into winter and the first fogs jaundiced the air. Wilson and Flush could scarcely grope their way to the pillar-box or to the chemist. When they came back, nothing could be seen in the room but the pale busts glimmering wanly on the tops of the wardrobes; the peasants and the castle had vanished on the blind; blank yellow filled the pane. Flush felt that he and Miss Barrett lived alone together in a cushioned and firelit cave. The traffic droned on perpetually outside with muffled reverberations; now and again a voice went calling hoarsely, ‘Old chairs and baskets to mend’, down the street: sometimes there was a jangle of organ music, coming nearer and louder; going further and fading away. But none of these sounds meant freedom, or action, or exercise. The wind and the rain, the wild days of autumn and the cold days of mid-winter, all alike meant nothing to Flush except warmth and stillness; the lighting of lamps, the drawing of curtains and the poking of the fire.

  At first the strain was too great to be borne. He could not help dancing round the room on a windy autumn day when the partridges must be scattering over the stubble. He thought he heard guns on the breeze. He could not help running to the door with his hackles raised when a dog barked outside. And yet when Miss Barrett called him back, when she laid her hand on his collar, he could not deny that another feeling, urgent, contradictory, disagreeable – he did not know what to call it or why he obeyed it – restrained him. He lay still at her feet. To resign, to control, to suppress the most violent instincts of his nature – that was the prime lesson of the bedroom school, and it was one of such portentous difficulty that many scholars have learnt Greek with less – many battles have been won that cost their generals not half such pain. But then, Miss Barrett was the teacher. Between them, Flush felt more and more strongly, as the weeks wore on, was a bond, an uncomfortable yet thrilling tightness; so that if his pleasure was her pain, then his pleasure was pleasure no longer but three parts pain. The truth of this was proved every day. Somebody opened the door and whistled him to come. Why should he not go out? He longed for air and exercise; his limbs were cramped with lying on the sofa. He had never grown altogether used to the smell of eau-de-Cologne. But no – though the door stood open, he would not leave Miss Barrett. He hesitated half-way to the door and then went back to the sofa. ‘Flushie’, wrote Miss Barrett, ‘is my friend – my companion – and loves me better than he loves the sunshine without.’ She could not go out. She was chained to the sofa. ‘A bird in a cage would have as good a story’, she wrote, as she had. And Flush, to whom the whole world was free, chose to forfeit all the smells of Wimpole Street in order to lie by her side.<
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  And yet sometimes the tie would almost break; there were vast gaps in their understanding. Sometimes they would lie and stare at each other in blank bewilderment. Why, Miss Barrett wondered, did Flush tremble suddenly, and whimper and start and listen? She could hear nothing; she could see nothing; there was nobody in the room with them. She could not guess that Folly, her sister’s little King Charles, had passed the door; or that Catiline the Cuba bloodhound had been given a mutton-bone by a footman in the basement. But Flush knew; he heard; he was ravaged by the alternate rages of lust and greed. Then with all her poet’s imagination Miss Barrett could not divine what Wilson’s wet umbrella meant to Flush; what memories it recalled, of forests and parrots and wild trumpeting elephants; nor did she know, when Mr Kenyon stumbled over the bell-pull, that Flush heard dark men cursing in the mountains; the cry, ‘Span! Span!’ rang in his ears, and it was in some muffled, ancestral rage that he bit him.

  Flush was equally at a loss to account for Miss Barrett’s emotions. There she would lie hour after hour passing her hand over a white page with a black stick; and her eyes would suddenly fill with tears; but why? ‘Ah, my dear Mr Horne’, she was writing. ‘And then came the failure in my health … and then the enforced exile to Torquay … which gave a nightmare to my life for ever, and robbed it of more than I can speak of here; do not speak of that anywhere. Do not speak of that, dear Mr Horne.’ But there was no sound in the room, no smell to make Miss Barrett cry. Then again Miss Barrett, still agitating her stick, burst out laughing. She had drawn ‘a very neat and characteristic portrait of Flush, humorously made rather like myself’, and she had written under it that it ‘only fails of being an excellent substitute for mine through being more worthy than I can be counted’. What was there to laugh at in the black smudge that she held out for Flush to look at? He could smell nothing; he could hear nothing. There was nobody in the room with them. The fact was that they could not communicate with words, and it was a fact that led undoubtedly to much misunderstanding. Yet did it not lead also to a peculiar intimacy? ‘Writing’, Miss Barrett once exclaimed after a morning’s toil, ‘writing, writing …’ After all, she may have thought, do words say everything? Can words say anything? Do not words destroy the symbol that lies beyond the reach of words? Once at least Miss Barrett seems to have found it so. She was lying, thinking; she had forgotten Flush altogether, and her thoughts were so sad that the tears fell upon the pillow. Then suddenly a hairy head was pressed against her; large bright eyes shone in hers; and she started. Was it Flush, or was it Pan? Was she no longer an invalid in Wimpole Street, but a Greek nymph in some dim grove in Arcady? And did the bearded god himself press his lips to hers? For a moment she was transformed; she was a nymph and Flush was Pan. The sun burnt and love blazed. But suppose Flush had been able to speak – would he not have said something sensible about the potato disease in Ireland?